Dean Koontz

The Eyes of Darkness by Dean Koontz

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TUESDAY AFTERNOON TLNA WATCHED THE FINAL dress rehearsal of Magyck!

from a seat in the middle of the Golden Pyramid showroom.

The theater was shaped like an enormous fan, spreading under a high domed ceiling. The room stepped down toward the stage in alternating wide and narrow galleries. On the wider levels, long dinner tables, covered with white linen, were set at right angles to the stage. Each narrow gallery consisted of a three-foot-wide aisle with a low railing on one side and a curving row of raised, plushly padded booths on the other side. The focus of  all the seats was the immense stage, a marvel of the size required for a Las Vegas spectacular, more than half again as large as the largest stage on Broadway. It was so huge that a DC-9 airliner could be rolled onto it without using half the space available—a feat that had been accomplished as part of a production number on a similar stage at a hotel in Reno several years ago. A lavish use of blue velvet, dark leather, crystal chandeliers, and thick blue carpet, plus an excellent sense of dramatic lighting, gave the mammoth chamber some of the feeling of a cozy cabaret in spite of its size.

Tina sat in one of the third-tier booths, nervously sipping ice water as she watched her show.

The dress rehearsal ran without a problem. With seven massive production numbers, five major variety acts, forty-two girl dancers, forty-two boy dancers, fifteen showgirls, two boy singers, two girl singers (one temperamental), forty-seven crewmen and technicians, a twenty-piece orchestra, one elephant, one lion, two black panthers, six golden  retrievers, and twelve white doves, the logistics were mind-numbingly complicated, but a year of arduous labor was evident in the slick and faultless unfolding of the program.

At the end, the cast and crew gathered onstage and applauded themselves, hugged and kissed one another. There was electricity in the air, a feeling of triumph, a nervous expectation of success.

Joel Bandiri, Tina’s co-producer, had watched the show from a booth in the first tier, the VIP row, where high rollers and other friends of the hotel would be seated every night of the run. As soon as the rehearsal ended, Joel sprang out of his seat, raced to the aisle, climbed the steps to the third tier, and hurried to Tina.

“We did it!” Joel shouted as he approached her. “We made the damn thing work!” Tina slid out of her booth to meet him.

“We got a hit, kid!” Joel said, and he hugged her fiercely, planting a wet kiss on her cheek.

She hugged him enthusiastically. “You think so? Really?”

“Think? I know! A giant. That’s what we’ve got. A real giant! A gargantua!”

‘Thank you, Joel. Thank you, thank you, thank you.” “Me? What are you thanking me for?” “For giving me a chance to prove myself.” “Hey, I did you no favors, kid. You worked your butt off. You earned every penny you’re gonna make out of this baby, just like I knew you would. We’re a great team. Anybody else tried to handle all this, they’d just end up with one goddamn big mishkadenze on their hands. But you and me, we made it into a hit.”

Joel was an odd little man: five-feet-four, slightly chubby but not fat, with curly brown hair that appeared to have frizzed and kinked in response to a jolt of electricity. His face, which was as broad and comic as that of a clown, could stretch into an endless series of

 

 

 

 

rubbery expressions. He wore blue jeans, a cheap blue workshirt—and about two hundred thousand dollars’ worth of rings. Six rings bedecked each of his hands, some with diamonds, some with emeralds, one with a large ruby, one with an even larger opal. As always, he seemed to be high on something, bursting with energy. When he finally stopped hugging Tina, he could not stand still. He shifted from foot to foot as he talked about Magyck!, turned this way and that, gestured expansively with his quick, gem-speckled hands, virtually doing a jig.

At forty-six he was the most successful producer in Las Vegas, with twenty years of hit shows behind him. The words “Joel Bandiri Presents” on a marquee were a guarantee of first-rate entertainment. He had plowed some of his substantial earnings into Las Vegas real estate, parts of two hotels, an automobile dealership, and a slot-machine casino downtown. He was so rich that he could retire and live the rest of his life in the high style and splendor for which he had a taste. But Joel would never stop willingly. He loved his work. He would most likely die on the stage, in the middle of puzzling out a tricky production problem.

He had seen Tina’s work in some lounges around town, and he had surprised her when he’d offered her the chance to co-produce Magyck! At first she hadn’t been sure if she should take the job. She was aware of his reputation as a perfectionist who demanded superhuman efforts from his people. She was also worried about being responsible for a ten-million-dollar budget. Working with that kind of money wasn’t merely a step up for her; it was a giant leap.

Joel had convinced her that she’d have no difficulty matching his pace or meeting his standards, and that she was equal to the challenge. He helped her to discover new reserves of energy, new areas of competence in herself. He had become not just a valued business associate, but a good friend as well, a big brother.

Now they seemed to have shaped a hit show together.

As Tina stood in this beautiful theater, glancing down at the colorfully costumed people milling about on the stage, then looking at Joel’s rubbery face, listening as her co-producer unblushingly raved about their handiwork, she was happier than she had been in a long time. If the audience at this evening’s VIP premiere reacted enthusiastically, she might have to buy lead weights to keep herself from floating off the floor when she walked.

Twenty minutes later, at 3:45, she stepped onto the smooth cobblestones in front of the hotel’s main entrance and handed her claim check to the valet parking attendant. While he went to fetch her Honda, she stood in the warm late-afternoon sunshine, unable to stop grinning.

She turned and looked back at the Golden Pyramid Hotel-Casino. Her future was inextricably linked to that gaudy but undeniably impressive pile of concrete and steel. The heavy bronze and glass revolving doors glittered as they spun with a steady flow of people. Ramparts of pale pink stone stretched hundreds of feet on both sides of the entrance; those walls were windowless and garishly decorated with giant stone coins, a gushing torrent of coins flooding from a stone cornucopia. Directly overhead, the ceiling of the immense porte cochere was lined with hundreds of lights; none of the bulbs were burning now, but after nightfall they would rain dazzling, golden luminosity upon the glossy cobblestones below. The Pyramid had been built at a cost in excess of four hundred million dollars, and the owners had made certain that every last dime showed.

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