Destiny Of Souls

Destiny Of Souls

Forms of Energy Color

 

 

Besides the effects of color, another external means of investigating souls in groups is to compare their shapes. These energy forms would include symmetry versus irregularity of shape, brightness or dimness of light configurations and the qualities of motion, all of which provide spiritual signatures of the group members. When observing other souls, many people in a trance state are aware of a soul’s vibrational resonance. After I review the nuances of color tone with a client, together we will study the pulsation and vibrational rates of motion of their soul companions.

In discussing the energy form of any soul, my first question is, “How much energy was left behind in the spirit world before the current incarnation?” This question has much to do with the activity or passivity of the soul and relates to brightness and dimness of energy. Despite the amounts of energy, however, all manner of energy generation is identified by character, capacity and mood of the soul. These are variables that can change after a series of lives.

During my prehypnosis intake interview with a new client, I inquire about the cast of characters in their current life. I make notes about all their relatives, friends and past loves as well. This is because I will have a front-row seat in the play that is about to unfold from their minds and I want a theater program. My client will be the leading actor in this drama, with others in supporting roles.

In the case excerpt which follows, it can be seen how quickly information is gained through questions involving both color and form about a supporting cast member within a client’s soul group. During my intake interview with Leslie, my client, I learned of her sister-in-law, named Rowena, who was a real thorn in her side. Leslie, whose spiritual name is Susius, described herself as someone who seeks security in her lives and tends to be around peaceful people. In her current life this subject remarked, “Rowena seems to enjoy confronting me and challenging all my convictions.” What follows is the opening scene of Leslie’s mental picture of her spirit group.

 

Case 34

S: (very upset) Oh, I don’t believe it! Rowena is here—or rather it’s Shath— that’s Rowena.

Dr. N: What’s wrong with seeing the soul of Rowena in your spirit group?

S: (frowning, with a tightening of the mouth) Well, Shath is one of the . . . disruptive ones . . .

Dr. N: Disruptive in what way?

S: Oh . . . compared to those of us who have smooth, unruffled energy vibrations.

Dr. N: Susius, as you observe your sister-in-law, how is she different in terms of color and shape?

S: (still verifying the recognition of Rowena) There she is, all right! Her orange energy is pulsating rapidly—the usual sharp, jagged edges—that’s Shath. Sparks—that’s what we call her.

Dr. N: Does the form she presents to you indicate she is as antagonistic to you here in this spiritual setting as in your current life?

S: (Leslie is now adjusting to Rowena’s presence and her voice softens) No . . . actually she draws us out . . . she is good for our group . . . I can see that.

Dr. N: I want to consider how her projections are different from your own energy in color and form. What can you tell me about yourself in the spirit world?

S: Mine is soft white with rose variations . . . I am called Bells by my friends because they see my energy as fluid droplets of steady rainwater which give off an echo . . . of faint tinkling bells. Shath has a sharp clarity to her energy and I see tints of gold. Her energy is bright and very overpowering.

Dr. N: And what does all this mean to you and your group?

S: We just can’t be complacent around Sparks. She is so restless—a swirl of constant motion—there are always questions from her and challenges about our performance. She enjoys taking parts in our lives which shake our complacency.

Dr. N: Do you think she is less abrasive in the spirit world than in her current body as Rowena?

S: (laughs) You bet. She chose a high-strung body with a short fuse, which amplifies everything. This time (current life) she came as my husband’s sister. Shath can be so annoying but now that I see who she really is, I know her motives come from love and wanting the best we have to give. (laughs again) We help her to slow down, too, because she has a tendency to jump into fires without looking.

Dr. N: Is there anyone in your inner circle of friends whose energy is similar to Shath—to Rowena?

S: (grins) Yes, that would be my best friend Megan’s husband, Roger. His name here is Siere.

Dr. N: How does his energy appear to you?

S: He sends out geometric, angular patterns that zigzag back and forth. They are sharp waves—like his tongue—and from a distance his energy reverberates like crashing cymbals in an orchestra. Siere is a daring, intrepid soul.

Dr. N: Based on what you have been telling me about energy shapes, could Shath and Siere—Rowena and Roger—have a compatible match-up in life?

S: (bursts out laughing) You must be joking! They would kill each other. No, Rowena’s husband is Sen—my brother Bill—a peaceful soul.

Dr. N: Please describe his energy.

S: He has a grounded energy which is greenish-brown. You know Vines is around when you hear a gentle swishing.

Dr. N: Vines? I don’t understand what that means.

S: In our group when you get a nickname, it sticks. Sen has vibrational waves which look like a vine . . . with the patterns forming braided strands—you know—as with long hair.

Dr. N: Does this energy pattern identify Sen—your brother Bill—in some way?

S: Sure. Complex but constant—very dependable. It reflects his ability to weave a variety of elements together in lovely harmony. Vines and Sparks blend beautifully because Rowena never lets Bill get too complacent and he gives her an anchor in life.

Dr. N: Before I go on, I have noticed that the spirit names you have given for your soul group all start with the letter S. Does that mean anything? I’m not sure I am even spelling them correctly.

S: Don’t worry about that—it is the sound which gives off the intonations of their energy motion. That reflects who my friends really are.

Dr. N: Sound? So besides the color and form of your group’s energy, their waves have sound linked to each of them as we might hear on Earth?

S: Well . . . sort of . . . with us, it’s energy resonance we identify with Earth, although you could not hear these vibrations with a human ear.

Dr. N: Could we go back to your best friend, Megan? You mentioned her, but I don’t know her vibrational pattern color.

S: (with a warm smile) Her wispy, pale yellow energy is like flickering sunlight on a field of grain . . . smooth, even and delicate.

Dr. N: And her character as a soul?

S: Absolute, unconditional compassion and love.

 

Before going further with the issue of sound and the similarity of some spiritual names, I should explain the karmic link between my client, Leslie, and her best friend in this life, Megan. To me it is an emotionally compelling story. During my intake with case 34, Leslie explained to me that she was a professional singer and that occasionally her throat and larynx were especially tender. I regarded this as simply an occupational hazard and thought no more about it until we reached the death scene in her past life. It was then necessary to deprogram a former body imprint directly related to Leslie’s throat.

In their past life, Megan was Leslie’s younger sister. As a young girl, Megan had been forced by her father to marry a wealthy, brutal, older man called Hogar, who beat and sexually abused her. After a short while, Leslie helped Megan escape from Hogar in order to run away with a young man who loved her (Roger). An enraged Hogar found Leslie that night and dragged her to a secluded place where he raped and beat her for hours to learn the whereabouts of her sister.

Leslie told Hogar nothing until he began to strangle her for information. She then bought her sister more time to get away safely by giving Hogar the wrong directions. Hogar strangled Leslie to death and rushed away, but he never found Megan again. Later in our session Leslie had this to say. “Singing in this life is an expression of love because my voice was silenced over love in the last life.”

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