Destiny Of Souls

Posted by admin_akashic on Aug 16th, 2021 in Human, Space

Signs and Symbols

From the dawn of human history our race has sought hidden spiritual meanings through interpretations of what we see around us. I remember how I felt climbing into the cave sanctuaries of Paleolithic humans along the Dordogne Valley in France. Inside these caves, one is taken back to the Stone Age by the symbolic art along the walls. They are among the earliest representations we have of human spiritual consciousness. For thousands of years primal cultures around the world used rock pictures and diagrammed pictographs to represent ideas relating to magic, fertility, sustenance, courage and death.

Indeed, down through the long centuries since that time, we have sought personal revelation through signs from the supernatural. The earliest signs were taken from the animal kingdom, from stones and the elements. We use symbols of all sorts as embodiments of power and instruments of insight and self- development. Ancient cultural attachments to mystic symbolism were often associated with a desire for transfiguration of our higher Self over the primitive side of human nature. The rites and symbols of secret mystical societies, such as the Gnostics and Kabbalists, may well represent soul memory on Earth and human memory in the spirit world.

Perhaps I should not have been surprised to have found emblems with meaningful signs in the spirit world. As with all physical objects visualized by subjects in hypnosis, the emblems they see worn by some Elders are grounded in past life experience. Conversely, why shouldn’t we carry messages from the council to Earth within our soul mind as well? Anthropologists who have studied clay tablets, seal stones, scarabs and amulets from our past believe that their influence to both wearer and observer went beyond physical life into the realm of disembodied souls. This custom continues today with engraved pendants, rings and charms. Many people who wear these symbolic talismans believe they protect but are also reminders of personal power and opportunity. The following cases may shed some light on the origins of our feelings about prophetic signs.

About half my subjects see medallions hanging around the necks of one or more Elders on their council. The other half see no objects at all. Frankly, I have found no correlation between these two groups of clients in any way, including their level of development. When a medallion is seen by people, some 85 percent of them visualize a circular design. The others may see squares, rectangles, triangles, and starlike designs, some of which are seen in three dimensions. All these medallion shapes, in association with the designs on them, are significant and represent a continuity of spirit, both morally and spiritually, to the evolving soul.

The medallions typically hang from a chain or sometimes just a cord. Usually the metallic disk is gold but they can also be silver or bronze. Most clients are focused on only one medallion on the council, which is almost always worn by the chief questioner. This Elder is generally positioned directly in front of the soul.

Case 40

Dr. N: How many members of your council are sitting in front of you?

S: Five.

Dr. N: How are they dressed?

S: They all have white robes.

Dr. N: I want you to look carefully—do you see any of these wise beings wearing anything on their robes? If you don’t see anything, fine, don’t worry about it, I’m just curious.

S: (pause) Well, the one in the center has something around his neck.

Dr. N: Please describe what you see.

S: I don’t know. It’s on a chain.

Dr. N: What is on a chain?

S: Something round, a metal disk.

Dr. N: (I always ask this question) Is it close to the size of a grapefruit, orange, or walnut?

S: (the usual response) An orange. Dr. N: What color is this ornament? S: Gold.

Dr. N: What do you think this gold medallion means?

S: (the normal response) Oh, probably some sort of badge of office, or maybe his particular area of expertise.

Dr. N: Really. Do you think it is necessary for council members to wear emblems to signify to each other what their position is, or any particular talent they may have?

S: (confused) Well . . . I don’t know . . . I mean, how could I know?

Dr. N: Let’s not give up on this so easily. We might learn something together.

S: (No answer) Dr. N: Describe what you see on the gold medallion.

S: (the usual response) I can’t see it very well.

Dr. N: I want you to move closer so you can see the emblem more clearly.

S: (reluctant) I’m not sure I should.

Dr. N: Let’s look at this logically. If you were not supposed to see the emblem, your chairperson would not allow you to see it. Think about this. Does it make sense that these highly developed beings would openly display adornments on their robes which you are not supposed to see? And why would they need to display them for each other?

S: I suppose you’re right. (still reluctant) I guess it would be okay for me to move a little closer.

Dr. N: Just so you know, talking to me about this is not a violation of confidentiality. Look at the expression on the face of the Elder wearing the emblem. He knows what you are thinking. Tell me what you see?

S: A kindly expression . . . helpful to me.

Dr. N: Then I am sure he would not want you to miss anything pertaining to this meeting. Move forward and tell me what you see on the metal disk.

S: (now more confident) I can’t make out the writing around the side, it looks like filigreed lace, but on the raised part of the disk in the center I see a big cat with its mouth open.

Dr. N: Give me more details about the cat. Is it a house cat?

S: (more forcefully) No, it’s a profile of a mountain lion with a fierce face and large teeth.

Dr. N: Anything else?

S: (with recognition) Oh, there is a hand holding a dagger under the lion’s neck. (long pause) Ah . . . yes . . .

Dr. N: You know now what this is all about, don’t you?

S: (quietly) Yes, I think I do. It is from my Indian life.

Dr. N: We haven’t talked about that life. Tell me when and where this life took place and how the big cat fits in.

This client, whose spirit name is Wan, proceeded to explain that in 1740 she was a young Indian woman in North America. She was out in the forest one day digging roots with her two children. The men of her village were off hunting. Suddenly, she saw a big cat jump out of a tree and move toward the children. Wan dropped her basket and ran directly at the cat. She said, “There was only time to pull out my stone knife—then he was on top of me. Just before the lion killed me I was able to thrust up deep into his neck. Later the men found me and the lion dead, but the children were safe.” When I asked Wan why she was being shown this emblem of the cat, she said, “To signify I displayed courage here and I must use it more in other lives.”

I always verify the design of medallion carvings with a posthypnotic suggestion at the end of my sessions. I have my clients draw me a picture of what they saw. Wan’s visual picture of this event is shown in figure 9A.

The depiction of Wan’s hand killing a mountain lion on the medallion was intended to send a strong message of capability and courage. My client came to me because she was fearful of dying at age thirty-nine because her brother had died two years before in his thirty-ninth year while driving recklessly. She just had her thirty-ninth birthday and we found there was a tenuous quality about her existence.

In the course of our session my subject learned that in the life following her Indian life, she and her two children had been abandoned by her trapper husband in a Wyoming cabin during a harsh winter in the nineteenth century. This husband, who was her brother today, was restless and wanted his freedom from family responsibilities. Thus, this case involved a karmic transference of roles by an unsettled soul in Wan’s spirit group who went from an errant past life husband in the nineteenth century to a rather wild brother in the twentieth.

As the trapper’s abandoned wife, Wan told me she did not fight hard enough to save herself and the children by putting on snowshoes, a backpack, and trying to get out to civilization while she still had food. She was afraid, and rationalized that her husband would return before she and the children starved. The council showed Wan the cat medallion not only as a counterpoint to the lack of resolve in the Wyoming life but also for her fearfulness today. I’m glad Wan saw the contemporary message of this symbol of courage in our session because the soul of her brother had volunteered for the probable short life to test my client again and deal with his own karma of abandoning people.

I know it seems odd that these ethereal beings on the council would be seen by souls as having a body of light energy in human shape wearing robes with ornaments. When I initially detected the medallions I did wonder if they were chains of office. I learned that these pendants and their designs had nothing to do with an Elder’s status on the council but everything to do with offering a message of inspiration to the souls who come before them. As with so many aspects of the spirit world, these symbols did not reveal themselves easily to me.

In the early stages of my inquiries into medallions, my questions would elicit enigmatic responses to the effect that an emblem’s meaning was unfathomable, or that the Elder was sitting too far away to make it out. For too long I accepted these explanations. Then I changed tactics. As can be seen from the last case, I now tell subjects that it does not make sense that Elders would wear an insignia for personal recognition with each other. Since these wise beings already know everything about

Figure 9 (A-D): Medallion Designs Worn by Council Members

These designs are not drawn to scale. Souls see them in different sizes and colors but they are almost always round and hang from an Elder’s neck. All emblems are illustrated with the usual double-circle edge etched with indecipherable linguistic markings.

Figure 9 (E-H) continued

each other, these medallions have to be for the benefit of the soul they are interviewing. They might be changed over time after a karmic lesson is learned; however, some scenes appear not to change at all.

Once a person in hypnosis realizes the emblems are not symbols of a secret society belonging only to their particular council, they open up. This allows the client to make the mental distinction between an observer caught up in an event over which they have no control to that of an active participant. Responses improve by giving the client permission to recognize what essentially already belongs to them as a soul. The therapy I am able to utilize in their current life from this aspect of interlife council meetings is worth the effort. The passages from the next case are unusual because the subject knows the names of three council members, all of whom have medallions. The chairman’s emblem design is figure 9B.

Case 41

Dr. N: As you look more closely at the emblem worn by your chairperson, please describe it to me.

S: Drit wears the head of an eagle. It is turned sideways on the gold disk in bold relief. Its beak is wide open. I can see the bird’s tongue.

Dr. N: Okay, what does all this mean to you?

S: Drit is giving me a message to fly high and scream into the silence.

Dr. N: Can you tell me more?

S: Drit says I must engage with my silence in life. I can’t live in my own world all the time. Unless I break out and rise above life’s circumstances, I will not progress.

Dr. N: And how do you respond to Drit’s message?

S: I just don’t accept this—I tell Drit that there was enough noise by others in my past life. I didn’t need to add to it.

Dr. N: What does Drit answer?

S: He says I could have made the world louder—but better—by being more vocal in what I knew to be the truth.

Dr. N: Do you agree with his assessment?

S: (pause) I suppose . . . I probably could have participated more . . . to engage others . . . and fought for my convictions.

Dr. N: Do you always see the eagle design after your lives?

S: No, only when I fall into my old patterns of silence. Sometimes his disk is blank.

Dr. N: Are you having trouble with this same issue in your current life?

S: Yes, that’s why I came to you and why Drit has now reminded me of this lesson.

Dr. N: Does anyone else on your council wear an emblem?

S: Yes, that would be Tron. He sits to the right of Drit.

Dr. N: Please describe the design on Tron’s medallion for me.

S: He wears an emblem engraved with a cluster of golden grapes.

Dr. N: Are you saying the grapes are gold, rather than appearing in their natural colors?

S: (shrugs) Yes, they are gold because the disk is that color. The emblems are always metallic.

Dr. N: Why is that?

S: I’m really not sure. For me, they represent objects that are precious and long-lasting.

Dr. N: What does the symbol of a cluster of grapes mean to you?

S: (pause) Tron wears the sign of . . . the fruit of life . . . which can be eaten . . . ah, absorbed . . . that is, to grow with knowledge.

Dr. N: Why a bunch of grapes rather than, say, an apple?

S: The cluster of grapes represents—not a single fruit—but multiples of the same fruit . . . to absorb different aspects of the same whole.

Dr. N: Would you care to expand on this message by Tron?

S: That by absorbing this symbol—each grape—into myself I will grow and flourish from every experience.

Dr. N: Do any other members of your council wear emblems?

S: (pause) Shai, she wears the emblem of the key as a reminder to open the door of knowledge and by doing so accept the fact that the answers to my problems lie within my abilities to solve them.

With case 41, it was the eagle design which had the greatest prominence. Birds on medallions are not unusual. One man told me that his chairperson had an emblem of bird feathers with a thistle in the center to remind him of a number of lives in the Highlands of Scotland. He stated, “In those lives as a clansman I soared up mountain crags, fighting British oppression for the freedom of my people.”

A female client saw a swan emblem on an Elder, which denoted growth through change. She said, “I am being reminded that at birth this beautiful creature is awkward and can’t fly. This represents my own metamorphosis from an ugly duckling into someone imposing—a productive person in my last series of lives.” Occasionally, a fish is seen on a medallion. A client told me that for him, this symbol represented a creature who could swim against a current and still be in harmony with its environment.

For some reason, human figures are rarely seen on council emblems. When I do hear of them I find their symbolic meanings to be intriguing. To illustrate the use of a human figure on a medallion, I refer the reader to figure 9C. This represents the case of a thirty-year-old woman called Noreen who came to me because she did not want to live anymore. Her husband had committed suicide some months before and she wanted to follow him. During the session we found out this soul-mate had lost his life in a logging accident at age twenty-six in their previous life together.

Couples in life each have their own karmic paths which may involve different issues from each other. However, these issues are frequently intertwined when souls from the same cluster group agree to work together, especially in a marriage. Noreen did not do well as a young widow in her last life, particularly in her refusal to open her heart to anyone else. For the remainder of that life, Noreen was inconsolable and died in bitterness from self-inflicted emotional wounds.

Facing her council at the end of this past life, she was told by the chairperson, “You didn’t let your spirit grow, did you?” Apparently, the same lesson has been presented to Noreen in her current life to see how she will handle it. I want to stress that this was not why her husband committed suicide. I have had cases where a spouse will intentionally choose a body that has a high probability of dying young from a variety of natural causes to allow the surviving spouse to again work through grief in a more healthy fashion. Suicide is not one of these options. Suicide by a physically healthy young person is not a prearranged karmic option for anyone. From my experience, I believe the odds are that if Noreen’s husband had not committed suicide he probably would have died young from some sort of accident.

At the time of our meeting, my client believed it was not possible to go on without the man she loved. Her extreme despondency also carried feelings of guilt that somehow she might have been responsible, although her husband’s suicide note carried just the opposite message. I feel that taking this client back to her last council meeting and viewing once again the medallion she saw is making a difference in her life today.

Case 42

Dr. N: I want you to tell me exactly what design you see on the chairman’s medallion.

S: The first thing I see is an animal . . . a deer. No, I think it is a gazelle. It is jumping in mid-flight.

Dr. N: Good, and do you see anything else you can talk about?

S: (pause) There is a human on its back. This really stands out boldly in the center.

Dr. N: I see. Is it similar to a bas-relief carving?

S: Yes, the gazelle and human figure are turned sideways to me. You know, like I’m watching them from an angle as they race across a plain. The human is faceless, but has long hair and the delicate body of a woman. The one leg I can see is bent . . . she is riding. One arm is raised, holding up a torch.

Dr. N: (a shift to present time, and then a command) All right, what I want you to do is rediscover the meaning of what you are seeing. It is no accident that we are here today discussing this emblem together. It represents something you need to remember. You are a young widow for the second time in two successive lives. Ask for assistance from your guide if necessary.

S: (after a long pause, she responds tearfully) I know the meaning. The human is me and I am riding east into the sunrise. The direction signifies the dawn of a new day. This animal would normally never trust a human to be near it, much less ride on its back. The gazelle trusts me and I must trust myself to go where the animal takes me because we must travel swiftly.

Dr. N: And why must you travel swiftly?

S: (after some prompting from me and few false starts) Because in life there is danger. Parts of this danger lie within us, our weakness— the way we sabotage—and this prevents us from reaching a destination. It is easy to get bogged down.

Dr. N: Are you saying the gazelle represents a liberating force?

S: Yes, I must have the courage and strength to continue on with my life with a greater sense of purpose. The gazelle also represents freedom to conquer fear and have faith in myself.

Dr. N: What about the torch you are carrying on the emblem?

S: (softly) Always . . . the light of knowledge. Our search for wisdom. This flame is never extinguished or made ineffective by shadows.

Dr. N: Do you see anything else on the pendant?

S: (still in a state of reverie) Oh, it is not important to me, I think. I am unable to read the Greek letters within the circle around the edge.

Unfortunately, I must report that none of my subjects who see medallions can decipher the strange symbols between the two outer rings near the edge. The secret writing remains a mystery in my research and I have reluctantly come to the conclusion this is one feature of the emblems that my clients and I are not supposed to know about. I should also add that much of what souls see and hear at their council meetings cannot be re-created in my office. Over the years of my work, I have come to expect that people in hypnosis cannot adequately explain all that happens in their spiritual lives because of human limitations in communication and translations which must be processed through the human brain. My subjects do not know why they cannot decipher the “squiggles” on medallions. They refer to them as hieroglyphics, cuneiform writing, runes and even mathematical symbols. The script does not seem to be translatable. It could be pictorial or ideogrammic. Perhaps it is an unspoken spiritual language.

I suspect the same types of symbols appear on the Life Books in spiritual libraries, such as the Greek pi symbol on the front of the book described by case 30. While the Life Books are very personal and undoubtedly used as a chronicle of the soul’s past by their guides and councils, the writing around the edges of an Elder’s medallion may have nothing to do with the soul. I have come to the conclusion that if my subjects were supposed to know about this writing while in a trance state, their spiritual guides would assist them. Regardless of whether the symbolic marks they see represent sounds, ideas or words of some sort, there may be a good reason why people cannot translate them, which has nothing to do with the client. One had this to say, “I think I’m not supposed to understand their meaning because this is a message to my Elder from a higher Source. Maybe this is his lesson wheel that he must decipher for his own goals.”

I divide what is seen on council emblems into two general categories. The first involves living or natural objects. These symbols could also include minerals, such as gemstones. The second category is the geometric designs, such as circles and straight line drawings. Gemstones may appear on both types of medallions. Council medallions are symbolic of pain and purpose, triumphs and shortcomings of the souls who go before them. The colors of the gemstones presented to the soul relate to both the Elder presenting them and also to the soul observer. The general design of a medallion involves soul attributes, accomplishments and goals. Like the oracles of old, the Elders may show a sign as a warning of impending trouble if what we strive for in life is set aside.

The case examples that follow are of clients who saw geometric designs and gemstones on their council emblems. The deciphering of line drawings in geometric designs is not quite as readily discernible as with objects of nature, which include gemstones. There are cultures, such as in Japan, where personal emblems involving line drawings have heraldic overtones. In the Orient, these family symbols worn on clothing could be of natural objects or geometric designs to identify members of a specific clan. As opposed to Japanese clan traditions, members of a soul group would not likely see exactly the same emblem displayed by their respective councils.

I find the meaning behind swirl designs on geometric emblems to be particularly intriguing. There is a universal aspect to some of them, such as with the next design listed under figure 9D. I have personally seen minor variations of this swirl design on rocks in such diverse locations as Europe, North Africa, Australia and in the deserts of North America. Many archeologists call it the life source design. When I asked the subject who saw the design in figure 9D about its meaning at a council meeting, I was told, “The council woman who wears the swirl design is reminding me that—starting from within the core of the spirit world—we spiral outward in development and will someday return to the Source of our origins.” When a swirl, or concentric circle design appears on a medallion, the meaning usually relates to a soul’s existence within the continuum of life. This sign projects a connotation of spiritual protection, as well.

In figure 9E the lines are crooked. Here is what the client who saw this design on an Elder had to say:

There are four rippled lines which come from the outer edges of the insignia from different directions. They converge within the circle of unity, indented in the center of the disk. The crooked lines represent different pathways toward our goal. They are not straight paths because we are imperfect souls. The lines make the insignia look fractured just as most every life seems to be disjointed at times. We may take many turns in our travels, but eventually we will all arrive at the same place in the center.

I have also been told about celestial signs with star, moon and sun symbols. After a long while of keeping records of all medallion signs, I realized that a crescent moon design was seen more often than other celestial designations. Figures 9F and 9G (which I will present in case 44) represent different variations of the crescent moon design in the minds of two clients:

The sun gives us golden rays of life-giving light while the partial moon is a symbol of growth for me. This silver light represents the forces of my potential. As it grows, so does my higher Self.

I am an interdimensional traveler between lives. The upside-down moon represents the covering and containment of the spirit world, which has jurisdiction over the Earth, our universe, and the dimensions around it. The lines at the top of the emblem are pivotal points of my soul travel, which epitomize grounding me to my work. At the bottom of this emblem is the atom-star, the purifier light and connector of universes.

Generally, when a client speaks of seeing a crescent moon on a medallion it represents the increasing power of the soul on Earth. My subjects say this is a waxing moon, which is growing, as opposed to a waning moon. The sign is often reported to be silver on a gold disk. Straight lines which are looped, angled, horizontal or vertical have countless meanings. For instance, figure 9G has five straight, angled lines at the top of the medallion. One subject who saw such lines all the way around a disk with no other markings said, “The great-star design of these long lines converging down to the center of the disk means I am supported on all sides by the Elders on my council.” I find it impossible to classify the large variety of signs and symbols I hear about because each is so individual to the soul.

I will offer one more medallion design as figure 9H. This last design combines a geometric pattern with a gemstone. This emblem was reported by a woman, whose spiritual name is Unz, who lives in constant pain from fibromyalgia, a disease which inhibits muscle function.

Case 43

Dr. N: Explain to me what you see on the robe of your chairman?

S: Kars wears a gold medallion for my observation. For as long as I can remember it has had intertwined circlets all around the face of the disk.

Dr. N: Tell me, Unz, what does this design mean to you?

S: The circlets are a reminder to me that each life we live fits together with all our other lives in a continuum toward fulfilling our primary purpose.

Dr. N: Do you see anything else on the disk worn by Kars?

S: (joyfully) Yes, yes—I have graduated to the emerald stone, which is in the center.

Dr. N: And what does this stone mean to you?

S: (with great satisfaction) It is the stone of the healer.

Dr. N: Does this have anything to do with your having fibromyalgia in your current life?

S: Absolutely. I specifically asked for a body in this life which would be subjected to incurable pain.

Dr. N: (with surprise in my voice) Can you expand upon why you did this?

S: I chose this path long ago. I found that whenever I was suffering myself with a malady that generated pain, it helped my healing art. When one is in constant pain, even of low-grade intensity, it presents an opportunity— especially for a healer.

Dr. N: To do what?

S: To experiment with the vibrational levels of pain with the body. You can learn the fine art of adjustments in energy to relieve sections of pain. By working with my own energy in this way I learned to assist others more skillfully.

Dr. N: What else can you tell me about this experience?

S: Being in constant pain keeps one grounded, anchored to the human experience. For pain relief one must be completely focused. It helps to have confidence that there is a higher purpose in learning to work through pain. I pay a lot of attention to other human beings who suffer from physical infirmities in life. I am able to help those who are receptive to the use of mind control for relief.

Dr. N: It seems to me you feel quite proud of having earned the emerald stone as presented by Kars.

S: The stone represents the lineage of the wearer as a healer. It is an embodiment of my personal character and that of Kars, who has been assigned to monitor the progress of my trials through the ages. It represents my attainment.

Dr. N: Is it fair for me to assume that you are being shown this stone by a master healer who has the expectation that you will carry on this work to become a teacher specialist yourself?

S: Yes, and Kars’ confidence in me is empowering.

Case 43 is what I would call an accelerated soul. Unz has only been incarnating on Earth for some five thousand years, a very short time considering her advancement. This is because she never skates in any of her lives. She accepts no healthy bodies, which really astonished me. In her life today, Unz is a Science of Mind minister who incorporates an eclectic mix of spiritual disciplines. Through her ministry, she assists many people with health problems through the use of guided imagery and meditation.

Another aspect of case 43 that I found interesting was that Unz only began to see the green stone on this medallion in the last four or five lives. Before that there was an amber stone in the center of the disk. Unz told me this was the color of nurturing and protection for the weak and sick, which came before the green stone. She called this gemstone “my growing-up stone,” and added, “The green emerald displays my current placement.” This indicates to me Unz is a level IV soul. Further questioning revealed something else. Unz said in her early lives on Earth the circlets (loops) had no stone at all in the middle of the emblem.

I remember a level V who told me, “There are five jewels on my overseer’s emblem, a diamond, ruby, amber, emerald and sapphire, which symbolize my achievements over different levels of development.” Thus, it is not the gemstone itself as a mineral of value that has significance on a spiritual medallion but rather the color of attainment the jewel represents. Gemstone metaphors reported by people in trance offer useful parallels with earthly traditions. The ancients of the Middle East, India and China thought that certain colors represented in gems and semiprecious stones possessed a kind of living personality of their own. For example, the Sumerians believed the wearer of a blue lapis stone had their personal spirit god with them “who must be listened to.” Most of my clients see their spirit guides as dark blue light. The ancients also felt that amethyst-purple conferred transcendental knowledge and wisdom. This gem color represents level VI souls and above.

Of those hypnosis subjects who do see medallions worn by their council members, some see only gemstones. They may not be shown on a disk. I have had cases where the stones—or glowing balls of colored energy—appear on necklaces, rings, or are simply held in an Elder’s hand and exhibited to the souls who come before them. Essentially, the displaying of certain colors of light energy represents different aspects of our physical and spiritual life. Certain colors emanating from an Elder as a halo, robe, or medallion can also indicate an Elder’s specialty area, which might directly relate to what the soul in front of them hopes eventually to achieve.

The hypnosis facilitator must be cautious about their own preconceptions about color meanings. Color interpretations on images presented to the hypnosis client visualizing council meetings won’t have quite the same meaning for everyone. Nevertheless, I think it is fair to say that to people in a trance state, signs and symbols presented to them through soul memory relate to the effects of forces over which they wish to exert some control in their current lives. My subjects associate all the medallions I have talked about on their councils with perception and wisdom. Their meanings are intensely personal things, and are displayed with the intention to instruct and motivate souls from Earth to an awareness of Self. The impact of viewing these signs and symbols under hypnosis is so compelling with some clients that after their sessions they have ordered duplicates on personal jewelry to remind them of their karmic path.