Destiny Of Souls

Posted by admin_akashic on Aug 16th, 2021 in Human, Space

Dancing, Music and Games

There are still people in the world living in remote settings who engage in spiritual dancing and singing that is important to their cultural life. Many years ago, I was privileged to watch and participate one night in the singing and dancing of a tribe of Lahu natives. These were Burmese hill people living deep in the mountains along the Burma-Thai border. I was with a small group of Westerners who were the first outsiders to be taken to see this particular isolated tribe. The trek was difficult, taking us through jungles and across mountain ranges. The experience was mystical.

When my subjects describe the way they express their inner being in the spirit world through dance movements combined with music, I think of the Lahu people. The Lahu are animists, who believe that all natural phenomena have souls and manifest a personal spiritual force. Many societies had these beliefs in ancient times, long before the rise of major religions. My clients explain that when groups of souls engage in this form of recreation there are elements of ritualism and a celebration of a sacred Source. As with both ancient and modern cultures on Earth, souls find this form of expression to be a means of heightening intensity. These movements evoke soul memories of their origins on Earth, other worlds and the spirit world itself.

Dancing and singing in unison brings a feeling of oneness with all thought. When my subjects describe the effects of this form of soul recreation, it is as if they feel suspended in the memory of spiritual bliss. They talk about how the sounds and rhythms of harps, lyres and chimes are an expression of their nature as a soul. The accounts of some clients remind me of my visit to the Lahu tribe when they speak of drums, flutes and dancing in a circle around a fire. One of these subjects had this to say:

We engage in the ring dance, moving in graceful, free-flowing harmony around firelight accompanied by the humming of lilting melodies. Our energy whirls in circular, changing cadences as a shift in wind of moods. For us this is an offering of the intense relationships we have for each other born from a thousand lifetimes together. We come to participate in dance and song as an affirmation of our bonds and to resonate a collective wisdom.

Another subject reported the following about dance movements in the spirit world. Initially, the object was apparently speed, then the dance changed to something else:

We start moving in a circle and then the pace accelerates faster and faster. We gather all this force, pushing it in front of us, until we look like a whirlwind with no space between. Now, the dance is gone— replaced by a cascading turbulence, which is a joining of our souls. As we slow down, the effects of unraveling energy are useful in observing our separation. At the end of this dance we have experienced the intricate differences between our vibrational energy patterns.

Some souls have described the scene above as “the tumbleweed game.” This indicates to me there is only a fine line between spiritual dancing and games, all of which have their individual interpretations. Here is another example:

When we dance we change our normal pear-shaped, elongated energy to that of a curved crescent which looks like a first-quarter moon. We move toward each other from two or four directions, depending upon the number of participants. By shifting our shapes from concave to convex—back and forth—to match the soul opposite us, we can blend—spoon fashion—and separate with great speed. We stretch out and intertwine our energy while swaying in and out like a mating dance.

Soul dancing may also become a form of acrobatics as indicated by the next statement from a client:

My group especially enjoys acrobatics. We do not perform gymnastics in human form, as some of the others do. We retain our oval, or elongated shapes of pure energy. We set up an energy field resembling a kind of trampoline to be used for tumbling in relays. It includes a dance form which is too hard to describe, but it’s all done with a great deal of laughter and fun. This movement during recreation draws us closer together.

I have noticed that these activities may be combined with comedy skits. Souls who engage in these forms of entertainment love to poke fun at each other. Yet I don’t hear much about souls acting in full-scale plays as pure recreation. This is because the more serious aspect of role-playing, although not lacking in humor, is so often employed during past life reviews. This is enough theater for most souls.

Other recreational activities, such as art and composition, are pursued quietly and individually. The practice of music and sculpture may be pursued alone or collectively. Sculpting energy to design structural objects and the creation of small life forms is not really considered recreational. They represent an integral part of task-oriented classroom instruction although, as we have seen, these activities can be overlapped with leisure time. Music is in a special category all its own as far as almost universal soul appeal. Unlike Earth, where so many of us are unable to learn to play a musical instrument or sing, as souls we seem to be able to engage in these activities effortlessly. Melodic sounds are often heard throughout the spirit world by my subjects in spaces that are not recreational. Within the context of R & R, music is enjoyed by souls directly or interwoven into subtle frameworks for drama, dancing and even games.

From my research, I have come to believe that more than any other medium, music uplifts the soul with ranges of notes far beyond what we know on Earth. There seems to be no limit to the sounds used in the creation of music in the spirit world. People in deep hypnosis explain that musical thought is the language of souls. The composition and transmission of harmonic resonance appears to relate to the formation and presentation of spiritual language. Far beyond musical communication, I’m told spiritual harmonics are the building blocks of energy creation and soul unification.

Many souls enjoy singing in the spirit world but it took me years to find a soul who is a Musical Director. My next case is a subject who has had a multitude of past lives where he was connected to music in one form or another. In his last life he was an Italian opera singer in the 1930s.

Case 52

Dr. N: What is your major recreational activity in the spirit world?

S: To create music.

Dr. N: You mean with musical instruments?

S: Oh, there is always that—you can pull any instrument out of thin air and play it. But, for me, there is nothing more satisfying than creating a choir. The voice is the most beautiful of musical instruments.

Dr. N: Look, you don’t have the vocal chords of an opera star any longer, so . . . ?

S: (laughs at me) Has it been that long since you were a spirit? No human body is needed. In fact, the sounds we create are lighter and of much greater range than those on Earth.

Dr. N: Can everyone sing the high and low notes?

S: (with enthusiasm) Of course they can. We all have the ability to be sopranos and baritones at the same time. My people can hit high and low notes and everyone is always on pitch—they just need a director.

Dr. N: Could you describe what you do?

S: (quietly, without boastfulness) I am a Musical Director of souls. A singing conductor—it is my passion—my skill—my pleasure to give to others.

Dr. N: Are you better at this than other souls because of your musical talent in your past life as an opera singer?

S: Oh, I suppose that one follows the other, but not everyone is as focused on music as I am. Some souls in musical groups may not be paying attention to the entire score. (smiles) Because of the musical range possessed by souls, they need a director to keep all these virtuosos on track. After all, this is recreation for them. They want to have fun as well as produce beautiful music.

Dr. N: So, you enjoy working with choirs rather than an orchestra?

S: Yes, but we mix it up to make the singing come together. When spirits apply themselves to instruments and voice sounds, it’s wonderful. It’s not stray notes. The harmonic meshing of musical energy reverberates throughout the spirit world with indescribable sounds.

Dr. N: Then all this is vastly different from working with a choir on Earth?

S: There are similarities, but here you have so much talent because every soul has the capability for perfection of musical sound. There is high motivation. Souls love this form of recreation, especially if they wanted to be able to sing on Earth but sounded like frogs.

Dr. N: Do you bring souls from groups other than your own to be in this heavenly choir?

S: Yes, but lots of groups like to sing opposite each other and see who can be the most innovative.

Dr. N: If you were to look into the deeper motivations for souls, can you help me understand why music is so important for them in the spirit world?

S: It takes you to new mental levels . . . moving your energy . . . communicating in unison with large numbers of other souls.

Dr. N: How large a choral group do you direct?

S: I am partial to small groups of around twenty, although there are hundreds of souls from many groups who are available for me to direct.

Dr. N: Large groups must be a great challenge for you?

S: (taking a deep breath) Their range is staggering . . . vibrations pouring out in many directions . . . everyone hitting incredibly high and low notes without warning while I am struggling with their cues . . . and yet it’s all pure rapture.

I will finish this section on recreation with a list of the most popular games souls play in the spirit world. One of my reasons for presenting the lighter side of soul socialization is to exemplify the differences between group study time and that of recreation. I have previously discussed the clannishness and rather insular attitudes of some soul groups. I do not wish my readers to assume this is a representation of the “outsider-insider” mentality that we so often see in cultural groups on Earth. There is no jealousy, mistrust or prejudice between spirit groups. While the younger souls are conditioned to be centered on their own training groups, this does not mean these souls see themselves as being all that different from other groups. Xenophobia does not exist in the spirit world. The information I have about how spirits from many groups play games together is one way I have of demonstrating the nature of soul behavior.

Nevertheless, at my lectures, I do feel the necessity of being cautious in offering too many details about spiritual games. There are people who believe matters of life after death are far too serious for such frivolities. A few have even commented that my speaking about recreation detracts from the rest of what I have to say about soul life. Despite these criticisms, I consider it more important that the public is aware the afterlife is not so dreadfully serious that souls cannot have fun.

The spiritual games I have encountered are never strictly enforced by monitors nor directed by team captains. In fact, the “rules” are loosely interpreted. There are elements of playful competition but without the emotional aggression one sees in sports on Earth. Spiritual games are not played with the objective that somebody wins while others lose. Games are vigorous and carefree at the same time. Our guides encourage game participation as a means of practicing energy movement, dexterity and group thought transmission. On the other hand, I have had subjects whose groups do not participate in games in the spirit world. Their separateness is always respected. This is especially true with the more advanced souls who are so engaged in other forms of energy training that game playing would be a detraction.

There is a remarkable consistency to game descriptions by subjects in hypnosis. While we can take the memory of a game with us to the spirit world, it is my belief that certain games with origins in the afterlife are brought to Earth and modified from unconscious memory for use in a physical body. The reader can be the judge of the most likely game origins from the following quotes. I will start my list of a few popular games with what appears to be a form of tag:

We chase around, trying to catch each other by flowing fast in straight lines and then maintaining that speed when turning sharply. The more maneuverable spirits are able to double back, stop and start again quickly without getting caught.

Simple interpretations of tag and other games may be combined with music and dancing. In these versions, especially with the young, souls will chase each other into areas that have been defined as personal playgrounds:

I love the meadows with trees to climb and tall grass where we can roll around chasing after each other and playing leapfrog. We can also shape shift into objects to make our games more interesting.

There is a game I hear quite a bit about which reminds me of a kind of dodgeball, where large numbers of souls line up opposite each other and throw bolts of energy. One can also recognize elements of keep-away and volleyball in the descriptions of this game called bolt-banging, which requires quick position adjustments and dexterity:

In our game of bolt-banging, we line up in two long lines opposite each other. We create balls of energy and throw them high over an imaginary line or fire them in straight or low trajectories at the opposing players. We must stay in a confined area to exchange bolts without slowing our momentum. At first it’s easy to get out of the way while making your own bolts at the same time. Then the tempo increases and our play area looks like a hailstorm. When our bolts are flying around, they can be dodged, or caught and thrown back. The object is not to be inadvertently hit by a bolt. A player who is zapped is not out—he just tries harder to be more agile. We feel the complexities of each soul carried in the bolts which hit us.

Another high-velocity game is something akin to red rover, or perhaps bumper cars, where souls line up opposite each other in a square. Instead of sending one player over at a time to try and break through a chain of arms, as in red rover, these souls rush at each other en masse. One subject said, “This is a game of collision, where we bounce off one another in a chain reaction of whirling energy.” The object seems to be the creation of a high volume of concentrated energy. Another client who plays this game told me:

The energy flow from all of us is pooled so that each player receives a heightened awareness from all the other souls. It’s an exhilarating game. There is a magnification of all our energy which is unified. Eventually, when the energy charge lessens, we all settle down and engage in a kind of folk dance.

There are many subtle games that my subjects have difficulty in describing to me. One I have heard about from a number of people, however, has the name of gemball. The game is a little like marbles and lawn bowling combined with the symbolism of gemstones, which I reviewed in chapter 6. From case 53, it can be seen how displaying colored energy objects, as embodiments of personal character, need not be limited to our appearances at the Council of Elders.

Case 53

Dr. N: Do all groups have some interest in playing games?

S: Not at all. My group is fun-loving and we don’t like to be tied down in classrooms too much. Some of the others find us a bit wild and undisciplined. There are four souls in our group who are not so playful so we cherry pick from other groups to make up our teams.

Dr. N: Is it true that souls can bring all the games they enjoyed on Earth to the spirit world?

S: (hesitates) Well, yes . . . but you don’t see them all . . .

Dr. N: Why not? Give me some examples of games you don’t see.

S: I don’t see golf because it is too self-centered, you are mostly playing against yourself. Tennis is a little better but I don’t see that either because only two people play and that is limiting.

Dr. N: Does this mean football is popular in the spirit world?

S: Mmm . . . not really. We don’t play games with stars like quarterbacks and team captains. Football is too uneven a game, with wide variations in positions. Soccer would be better. It’s hard to explain. We enjoy group games with lots of souls where everyone has an equal position and is engaged in the same way . . . in their movements.

Dr. N: I enjoy swimming, so I suppose you wouldn’t see that either?

S: (laughing) Then you’d be wrong. If you didn’t want to go to Earth for this as a spirit you could create a semblance of water here—or a golf course— whatever you require to bring back happy memories. But if you want other souls to participate with you in games of sport, then that’s more of a collective matter.

Dr. N: So, you see a difference between individual and group recreational activity?

S: Yes, I do.

Dr. N: All right, then tell me about a game which is not like the sports games we have been talking about, one perhaps which is not so robust and carefree even though it might still be considered as recreation.

S: (wistfully) Oh . . . that’s easy, it’s the gemball game. Many souls come to a space where we sit in a great circle. Then each of us creates an energy ball the size of a tennis ball, which looks like a crystalline gemstone.

Dr. N: Do the balls have any particular meaning?

S: Of course, the energy colors represent individual expression.

Dr. N: Okay, what happens next in this game?

S: Each person holds their ball until someone says, “GO!” Then, we all gently push our balls to the center of the ring.

Dr. N: Do they all bang against each other, as in marbles?

S: I guess . . . in a way. The gemballs carom off each other with radiating colors splashing in all directions . . . but they don’t quite stop . . . we keep them moving.

Dr. N: I’m not sure I understand . . . (subject breaks in and continues)

S: Finally, one comes to you. During each series of play, a corresponding player will receive my ball if there is a magnetic attraction.

Dr. N: What if you don’t receive a ball from another player?

S: It happens quite often. We play rounds with large groups of different players—eventually a ball will roll into my lap.

Dr. N: Do two players have to receive a ball from each other?

S: No, gemball is not a programmed game. Anything can happen.

Dr. N: What does receiving a ball from someone else mean?

S: This tells you that you might be linked to the owner in some fashion.

Gemball is an intimate game of expectation and trust because you never know where your ball is going or what you will receive back.

Dr. N: After you receive a ball, then what do you do?

S: (laughs) You pick up the ball that comes to you in the palms of your hands. The gemball gives you the means to learn about the private aspects of a soul which could relate to you in a special way. I have made many future life decisions to be with certain people based upon this game.

During my early research, I had no idea of the many ramifications of spiritual games. They all have their own distinctions that give pleasure. As I became knowledgeable with spiritual recreation, my subjects felt more comfortable in providing me with details about their favorite pastimes. I learned that certain games appeal to the particular character of the souls who play them. Eventually, I realized some games could escalate into training exercises and that individual souls from many groups gravitated to this activity. One game stands out in my mind in this respect.

I find the hide-and-seek game to have significant implications for future traveler souls whom I will be discussing in the next chapter. The execution of this game offers a variety of proficiency levels in teaching spatial frames of reference to interested souls. I began to take notice of this particular game after I heard about the appearance of coaches when the game became more complex. My clients call them the Gamekeepers. These are the specialist trainers who will expose those adventuresome beings who show talent to trips into different dimensions. Here is a quote from a highly advanced soul who wishes to specialize as a traveler:

Hide-and-seek in the spirit world begins as an exercise between light and darkness. With the younger souls we charge up our energy from a distance and then wink it out when the kids come in our direction. We block and then open up our telepathic energy at the same time to mix up the visual and mental signals. In the beginning we create doorways of light within structured columns of energy which are employed as shadowed panels which may be arranged in parallel or horizontal lines. Later we make them random geometric patterns. Most young ones have a terrible time learning to detect and find us as we dart between the doorways, but they have fun because at this stage they still consider this playing a game.

Some become so good we can’t trick them anymore. In time these souls—those that want to continue— become trainees and are ready to be ushered into our playground of interdimensional zones, which are divided by energy barriers and vibrational pulse rates. This is tough because the trainees must learn to adapt to different wave configurations which exist within each dimension and match their energy quickly to pass through. We lose many souls at this point who don’t wish to continue. The work is like being in a hall of mirrors. The souls like me, who refuse to quit because we love the work, must now master the mental dimensions without structure or form. They exist as vacuums between the physical dimensions. Part of me still considers this training as recreation. It is so captivating I can’t wait to get back home and engage in this exercise again with my friends.