Marx and Satan

Marx and Satan by Richard Wurmbrand

Satan, who his worshipers see in their hallucinatory orgies, actually speaks through them. Thus Marx is only Satan’s mouthpiece when he utters in his poem “Invocation of One in Despair” the words, “I wish to avenge myself against the One who rules above.” – Listen to the end of Oulanem:

If there is a Something which devours,

I’ll leap within it, though I bring the

world to ruins –

The world which bulks between me

and the abyss

I will smash to pieces with my

enduring curses.

 

I’ll throw my arms around its harsh reality,

Embracing me, the world will dumbly

pass away,

And then sink down to utter nothingness,

Perished, with no existence – that would be

really living.

Marx was probably inspired by the words of the Marquis de Sade:

I abhor nature. I would like to split its planet, hinder its process, stop the circles of stars, overthrow the globes that float in space, destroy what serves nature, protect what harms it-in a word, I wish to insult it in my works… . Perhaps we will be able to attack the sun, deprive the universe of it, or use it to set the world on fire. These would be real crimes.

De Sade and Marx propagate the same ideas!

Honest men, as well as men inspired by God, often seek to serve their fellowmen by writing books to increase their store of knowledge, improve their morality, stimulate religious sentiments, or at least provide relaxation and amusement. The Devil is the only being who consciously purveys only evil to humankind, and he does this through his elect servants.

As far as I know, Marx is the only renowned author who has ever called his own writings “shit,” “swinish books.” He consciously, deliberately gives his readers filth. No wonder, then, that some of his disciples, Communists in Romania and Mozambique, forced prisoners to eat their own excrement and drink their own urine.

In Oulanem Marx does what the Devil does: he consigns the entire human race to damnation.

Oulanem is probably the only drama in the world in which all the characters are aware of their own corruption, and flaunt it and celebrate it with conviction. In this drama there is no black and white. There exist no Claudius and Ophelia, Iago and Desdemona. Here all are servants of darkness, all reveal aspects of Mephistopheles. All are Satanic, corrupt, doomed.

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