Waki Waltari

The Roman by Mika Waltari

I dared not insult him, for he was high in Nero’s favor. Nero treated him with respect and had given him citizenship. So he always painted dressed in a toga, however absurd it looked. Nero had once even said that he would be glad to promote him to the rank of knight, but nevertheless had not done so. A colored animal trainer was one thing, but a craftsman who painted pictures as a profession—no, there are limits. Even Nero realized this.

I had to wait until the afternoon, but Nero did have food sent to me from his own table, so I was not all that anxious. The centurion and I played dice in silence and we drank some wine, though not enough to intoxicate him since he was on duty. I took the opportunity to send a message to Claudia to say that I had been arrested as a suspect.

Although your mother knew perfectly well I had to secure your future, in her woman’s way she did not like the politically necessary role of informer. I now wished to make her a little anxious for my safety, although I myself was not as anxious as I led her to understand in the message. But then I knew Nero’s whims and did not trust his advisers, not even Tigellinus, although for several reasons he owed me a debt of gratitude.

I was temptingly wealthy, even if I had done my best to hide the true size of my fortune. I remembered uneasily the death of Consul Vestinus, whom we had not even taken into the conspiracy. Fortunately, I knew that Statilia Messalina was on my side for this very reason.

Of course, no marriage had yet taken place between her and Nero, for the laws prescribe a waiting period of nine months, but Statilia was preparing a brilliant wedding feast anyhow, and Nero had already had a foretaste of her charms while Vestinus was still alive. Nero had presumably turned to Acte when Statilia was making sacrifices to the Moon Goddess to make herself a better woman. I knew Acte was sympathetic toward the Christian teaching, and she tried to strengthen Nero’s good qualities, which indeed he possessed, though the task was probably beyond any woman.

Statilia did the opposite. She was the first woman in Rome to introduce the originally German fashion of wearing her left breast bared. She could afford to do this, for she was proud of her well-shaped breasts. Women who were less well equipped by nature were affronted by this new fashion and thought it indecent, as if there were something evil in showing a lovely breast. Even the priestesses at public sacrifices and the Vestals themselves appear on some occasions with their breasts bared, so the habit is more hallowed by a thousand years of tradition rather than indecent in any way.

 

 

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By the evening, Tigellinus had gathered sufficient evidence of Antonia’s part in the conspiracy from the men who were still alive in Tullianum. Two cowardly informers had hastened up as well, to receive a share in the reward. Unblinkingly, they swore that Antonia really had promised to marry Piso as soon as he could rid himself of his wife, and that they had even exchanged betrothal gifts. At the search of Antonia’s house, a necklace of Indian rubies bought secredy by Piso from a Syrian goldsmith was found. How it came to be in Antonia’s house I do not know, nor do I wish to know.

All this evidence convinced Nero. He put on an act of despair, though naturally he was secretly pleased to have a legal reason for killing Antonia. To show me favor he invited me to see the menagerie in his new garden, where Epaphroditus had arranged a private display for his amusement. I was surprised to see some naked boys and girls tied to posts near the lion cages. Epaphroditus was equipped with an animal trainer’s red-hot iron and a sword at his side, but he made a sign to me that I need not worry.

To tell the truth, I was quite frightened when a dull roar was suddenly heard and a lion came rushing toward the posts, its tail thrashing. It rose on its hind legs to claw at the naked victims and sniffed at their sex organs in a disgusting way. To my astonishment the youngsters suffered no injuries at all as they twisted and turned in terror. When the lion had calmed down a little, Epaphroditus stepped forward and thrust his sword into its belly so that the blood spattered forth and the lion tumbled over, kicking its paws about in the air and dying as credibly as one could wish for.

When the boys and girls had been released and led away, still shaking with fright, Nero crept out of the lion’s head and asked proudly whether he had managed to convince me with his acting, despite my experience with wild animals. Of course, I assured him that I had believed in the lion. Nero showed me the steel springs and technical equipment of the lion costume, as well as the bag of blood which Epaphroditus had punctured with his sword. I have often wondered since about this absurd game, which seemed to give Nero great satisfaction but which he was in some way ashamed of and allowed only a few of his friends to see.

When he had in this way shown his confidence in me, he looked at me cunningly with feigned placidness.

 

 

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